History

Already in the nineties Cecilia Pillado surprised the conservative classical audience of the Berliner Philharmonie with innovative repertoire and played recitals with Argentinian tangos, Piazzolla works and own compositions; all this, before Kremer, Baremboim or Yo-Yo Ma came up with their tango recordings. The Berliner newspaper Der Tagesspiegel described Cecilia Pillado as “more than a fashionable crossover” and was completely right: she was a pioneer.

After her studies she startet to produce her recordings on her own, whith the prime aim to make this repertoire known and accessible to the public. She licensed her recordings first to “Berlin Classics” in 1998/1999 and to “Sony Classical” in 2007, what bears witness to her quality, but then she decided to focus on expanding her own label, starting in 2013 with digital releases.